2010
Using paper-mache, photography and anamorphic painting
techniques, Hegarty creates the impression that the gallery walls have
been stripped back to reveal an old Miami building interior.The gallery is transformed into a quasi-abandoned space, but is in effect a deconstructed still-life painting.
Break-Through Miami
Paper, Tyvek, paint, glue, palm fronds, tin foil, wire, wood, feathers
12’ (h) x 40’ (w) x 30’ (d)
2010