Valerie Hegarty
  • Home
  • Work
    • Paintings and Sculptures
      • New Ceramics
        • Reclining Shell Edition of 10
        • More New Ceramics
      • Landscapes
        • Illuminated Paintings Edition of 5
        • More Landscapes
      • Flowers
      • Clipper Ships
      • Skulls, Skeletons, and Birds
      • Fruit
      • Venuses
      • The Covid Diaries Series
      • George Washingtons
      • Seascapes
      • Ab Ex
    • Installations
      • Emily Cole, Her Father, My Mother and Me: Thomas Cole Historic Site
      • Fresh Start: Riverside Park, NYC
      • Alternative Histories: Brooklyn Museum Period Rooms
      • George Washington with Branches: INTERVENTIONS 3, Brooklyn, NY
      • Picnic with Downy Woodpecker, Olana Historic Site
      • Altered States, Marlborough Gallery, NYC
      • Autumn on the Wissahickon: Syracuse University
      • Autumn on the Hudson with Branches: The High Line, NYC
      • View from Thanatopsis: Museum 52 London
      • Seascape: Guild & Greyshkul
      • Among the Sierras with Woodpecker: Private Collection, Miami
      • Landscaping: Guild & Greyshkul
      • Moments
    • Reverse Archeology
      • Bloom and Gloom
      • Campus Cutouts: Drew University, NJ
      • Parent's Bedroom
      • Chinese Wallpaper (Flood Damage): Private Collector
      • Ship, Wallpaper, Floorboards with Flood Damage: University of CA Santa Barbara
      • Shipwreck: Arte Portugale
      • Breakthrough Miami: Locust Projects, Miami
      • Rosebushes: White Columns, Progressive Art Collection
      • Breakthrough: Smack Mellon
      • Slop Sink: Bronx Museum
      • Landscaping: PS1 Greater New York
      • Childhood Bedroom: The Drawing Center
      • Green Bathroom: Museum of Contemporary Art, Chicago
      • F Stop: Rotunda Gallery
      • Yellow Wallpaper
      • Hotel Lobby, West Loop: University of Illinois, Chicago
      • School of the Art Institute of Chicago
      • Cracked Canyon with Wall
    • Writing
  • About
  • Prints
  • CV
  • Press
  • Contact
Valerie Hegarty
  • Home
  • Work
    • Paintings and Sculptures
      • New Ceramics
        • Reclining Shell Edition of 10
        • More New Ceramics
      • Landscapes
        • Illuminated Paintings Edition of 5
        • More Landscapes
      • Flowers
      • Clipper Ships
      • Skulls, Skeletons, and Birds
      • Fruit
      • Venuses
      • The Covid Diaries Series
      • George Washingtons
      • Seascapes
      • Ab Ex
    • Installations
      • Emily Cole, Her Father, My Mother and Me: Thomas Cole Historic Site
      • Fresh Start: Riverside Park, NYC
      • Alternative Histories: Brooklyn Museum Period Rooms
      • George Washington with Branches: INTERVENTIONS 3, Brooklyn, NY
      • Picnic with Downy Woodpecker, Olana Historic Site
      • Altered States, Marlborough Gallery, NYC
      • Autumn on the Wissahickon: Syracuse University
      • Autumn on the Hudson with Branches: The High Line, NYC
      • View from Thanatopsis: Museum 52 London
      • Seascape: Guild & Greyshkul
      • Among the Sierras with Woodpecker: Private Collection, Miami
      • Landscaping: Guild & Greyshkul
      • Moments
    • Reverse Archeology
      • Bloom and Gloom
      • Campus Cutouts: Drew University, NJ
      • Parent's Bedroom
      • Chinese Wallpaper (Flood Damage): Private Collector
      • Ship, Wallpaper, Floorboards with Flood Damage: University of CA Santa Barbara
      • Shipwreck: Arte Portugale
      • Breakthrough Miami: Locust Projects, Miami
      • Rosebushes: White Columns, Progressive Art Collection
      • Breakthrough: Smack Mellon
      • Slop Sink: Bronx Museum
      • Landscaping: PS1 Greater New York
      • Childhood Bedroom: The Drawing Center
      • Green Bathroom: Museum of Contemporary Art, Chicago
      • F Stop: Rotunda Gallery
      • Yellow Wallpaper
      • Hotel Lobby, West Loop: University of Illinois, Chicago
      • School of the Art Institute of Chicago
      • Cracked Canyon with Wall
    • Writing
  • About
  • Prints
  • CV
  • Press
  • Contact
© VALERIE HEGARTY
Website by OtherPeoplesPixels
  • Portland Press Herald

    When Too Much is Perfect

  • The Brooklyn Rail

    Hovey Brock, Daniella Dooling, Valerie Hegarty
    By Alexandra Hammond

  • New York Times

    They Pooled Their Art to Create a Nest Egg. They Say It Was a Mistake.

  • New York Times

    Review of Re:Growth in Riverside Park Summer 2021

  • New York Times

    Valerie Hegarty explores the imaginative possibilities of decay / What to See in New York Art Galleries This Week / Bloom & Gloom at Burning in Water Gallery, NY

  • Artforum

    Critic's Pick: American Berserk at Burning in Water by Heidi Harrington-Johnson

  • ARTnews

    ‘Americana Gone a Bit Weird’: Valerie Hegarty on Her New Ceramic Still Lifes by Robin Scher

  • Blouinartinfo

    Valerie Hegarty Goes Wild in the Brooklyn Museum's Period Rooms by Benjamin Sutton

  • Village Voice

    Valerie Hegarty: Ruin Me (George Washington loses his head, plus some other good decay) by Christian Viveros-Faune

  • Timeout New York

    "Valerie Hegarty: Altered States" by Paul Laster

  • Artforum

    Valerie Hegarty at Marlborough Gallery Chelsea, Critic's Pick, by Chloe Rossetti

  • ARTWRIT

    Valerie Hegarty at Marlborough, New York by Grace-Yvette Gemmell

  • New York Times

    Perfectly Damaged at Derek Eller Gallery by Ken Johnson

  • Art in America

    Valerie Hegarty at Nicelle Beauchene, NY by Claire Barliant

  • New York Times

    Cosmic Collisions at Nicelle Beauchene by Karen Rosenberg

  • Artforum

    Valerie Hegarty at GUILD & GREYSHKUL by Emily Hall

© VALERIE HEGARTY
Website by OtherPeoplesPixels