Valerie Hegarty
Still Life with Watermelon, Peaches and Crows
2013
Canvas, stretcher, paper, acrylic paint, foam, papier-mâché, wire, glue, gold foil, epoxy, fabric, thread
57” (w) x 37” (h) x 19” (d)
In the Plantation dining room is a tableau that includes nineteenth-century still-life paintings being picked at by three-dimensional crows. The installation’s cultural referents include Alfred Hitchcock, racial segregation, and vanitas paintings.
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